recording from home.

part 1: the basics

section 1



cutting corners

If you’re reading this, you’re probably thinking about setting up a home studio. We get it – we did the same. There are professional services that we encourage, but saving money is essential as an everyday musician and services may be costly. More importantly, you want something nearby when your creativity is peaking. This state of mind, we feel, is a groove locked into, and waiting too long can dissolve the moment. Don’t wait for next session; a home studio will help you capitalize on your best moments!

In light of this philosophy, our first tip is:  

Have everything ready to record. Minimize time setting up between  sessions. 

. . . 

This 3-part series will help you, our readers, get set up at home. It’s  not as hard as you might think – plus, the process is exciting: finding  the best mics, adjusting acoustics in your room, exploring effects and  finding the right softwares. Many of these steps are fun and  customizable to the sound you’re looking for. Get creative! 

This is Part 1: The Basics. We explain the fundamentals of home  studios, followed by Part 2: Equipment & Softwares and Part 3:  Acoustics & Soundproofing. This series supports affordable,  accessible materials and equipment. Happy reading!

section 2

what you’ll need

02what you’ll need

Along with the knowhow, you’ll need some equipment to get started. This includes a microphone, cable, computer, interface and an instrument. You’ll need a recording software and may want some plugins, as well. Fortunately, there are fantastic options that will cost you nothing. We’ll expand on these details in Part 2: Equipment & Softwares. For now, take a glance at  what we’ll touch on in this series, below.


computer gear: computer, digital interface, console… 
cables: TRS, TS, XLR, MIDI…  
microphones: dynamic, condenser, ribbon…  
monitors: speakers, amplifiers, headphones… 
instruments: synthesizer, Akai MPC, electronic drums


DAWs: Pro Tools, GarageBand, Ableton, Cakewalk… 
signal processing: EQ, Compression, Panning… 
jamming: JamTaba, Jamzone, JamKazam… 
collaboration: Audiotool, BandLab, Ohm Studio…


how sound moves: reverb, echo, surfaces… 
panelling: absorbers, diffusers, reflectors…  
extra steps: partitions, bass traps… 
noise complaints: our advice…

section 3

noise complaints

03noise complains

love thy neighbour

If you live in an apartment or have neighbours  nearby, you may want to be respectful. Fortunately,  there are many ways to record and stay friendly with  the upstairs neighbours. Some of these include:  

1. Plugging electric instruments directly into your software and recording like that (direct input).
• electric drums, keyboard, electric guitar, etc.

2. Using headphones.

3. Playing at certain times of the day.

4. Acoustically treating your place.
• absorption panels; stands for amplifiers and speakers; reducing audio contact from walls and floor (vibrations travel through material, especially bass frequencies).
• (We’ll get into this more in Part 3: Acoustics & Soundproofing.)

section 4

acoustic treatment

04acoustic treatment

egg cartons don’t work.

You may have seen this before. I mean, egg cartons do  something, but they’re not a significant force in changing the  acoustics in your room. Furniture plays a much greater role:  shape, size, material and position all matter. The same  parameters apply to the room itself.

Sound waves bounce around a room like kids on pop rocks,  interacting with different surfaces by reflecting, diffusing and  absorbing. If you’re trying to absorb room sound, couches,  beds and beanbags all do this with great success. 

Furniture also breaks up sound, diffusing it and removing  hard echoes. This gives a much more distributed audio. We’ll  get into all of this in Part 3: Acoustics & Soundproofing

All we’ll say is, soundproofing is the common priority. If your  amp’s cranked to 11, you need more than a couch to stop  your neighbours from losing it. But cushiony furniture helps,  as can putting amps on stands, far from any walls. With the right materials, your space will harmoniously go on to  produce great music.

And that’s what we’re all about.

section 5

in closing

05in closing

let’s get it started

We wanted to be brief, so if you’re interested in setting up a space to record, please read Part 2: Equipment &  Softwares. We’ll explain how digital interfaces work. We’ll tell you about microphones, what types you want and why.  We’ll recommend some free recording softwares, and we’ll help you get started. Let’s go!